Trade Psychology & Management Manual: H1 Zone to Lower Timeframe Entry

InvestaRony Avatar

This manual is a roadmap for your trading journey. It details not just “what to do,” but “why to do it” and the consequences of mistakes.

đŸ‡Ŧ🇧 ENGLISH VERSION

Chapter 1: Mindset and Preparation (Before Opening the Chart)

Half the battle is won or lost before you even place a trade. Prepare yourself with these questions before opening your charts.

1.1. Gambling vs. Business

  • The Wrong Concept: Thinking, “I will make $100 from the market today.”
  • The Right Mindset: “Today I will follow my strategy. If the market gives me an opportunity, I will trade. Whether I win or lose is up to the market, but how much I lose is up to me.”

1.2. Accepting the Risk

  • Before opening a trade, ask yourself: “I might lose $10 in this trade. Will losing this $10 ruin my sleep tonight?”
  • If the answer is “Yes,” reduce your lot size. Keep reducing it until you feel, “If I lose this amount, it doesn’t matter.” The only cure for fear is a smaller lot size.

Chapter 2: The Timeframe Trap

Your main struggle is getting lost in the maze of timeframes. Let’s break it down.

2.1. The Role of H1/M30 (The Map)

  • H1 is your map or GPS. It tells you where the destination is.
  • Rule: Draw zones, set targets, and understand the trend ONLY on H1 or M30.

2.2. The Role of M1/M5 (The Microscope)

  • M1 or M5 is a microscope. It is used ONLY for entry.
  • The Problem: Looking through a microscope for too long causes headaches. Similarly, staring at the M1 chart causes panic. A small red candle looks like a massive crash.
  • The Solution: Once the entry is done, the microscope’s job is over. Put it away.

Chapter 3: Step-by-Step Execution Protocol

Follow this process like a robot.

Step 1: Zone Marking and Alerts

  • Draw Support/Resistance zones on the H1 chart.
  • Do not sit and stare at the chart. Set an alert at the zone and watch a movie or do other work.
  • Reason: Staring at the chart too long makes you feel like “the price is leaving without me,” leading to bad trades.

Step 2: Sniper Entry (M5)

  • When the alert triggers, switch to the M5 chart.
  • Look for an Engulfing Pattern or a Structure Break.
  • The 50% Rule: Do not jump in immediately after an Engulfing candle closes. Wait for the price to Retest around 50% of that candle. This keeps your Stop Loss (SL) small.

Step 3: Immediate Action (The Safety Lock)

  • Place your SL and TP within 10 seconds of opening the trade.
  • Most Important Task: Immediately click the timeframe button and switch back to H1 or M30.
  • Tell yourself: “My entry is done; I no longer know what M5 is.”

Chapter 4: The Art of Holding (Psychological Tactics)

The real game begins after the trade is open. Here is the battle with your mind and the solution.

4.1. Why can’t we hold profits?

Because we have a “Fear of Missing Out on Profits.” We think, “Let me take what I have now; what if I lose it later?”

4.2. Solution: Breakeven and Partial Booking

  • Breakeven: As soon as the price moves in your favor by an amount equal to your risk (1:1), move your Stop Loss to the Entry Point.
  • Logic: Now, not a single penny will leave your pocket. You can hold the trade stress-free.
  • Partial Booking: If your heart is racing, close 50% volume. Leave the remaining 50% running until the final Target or Breakeven.

Chapter 5: Inner Monologue (Q&A with Your Mind)

Evil thoughts will invade your mind while a trade is running. Have these answers ready.

Evil Question from the MindLogical Answer (Your Defense)
“Oh no! The market is going against me. Should I close it before I lose more?”“Can I predict the future? No. I have an SL. If it hits, it hits. This is a business expense. I will not exit halfway without a plan.”
“The profit looks good enough. I don’t need the target. Should I close now?”“This small profit won’t cover my losses. If I risked $10, I must make at least $20. If I break discipline, I will never be profitable.”
“There’s a huge opposite candle on M5! The market is crashing!”“I am watching the H1 chart. That M5 candle is nothing but a small ‘wick’ on H1. There is nothing to fear.”
“Today feels like a bad day. I need to recover my losses.”“Revenge trading will zero my account. If I lose today, the laptop goes off. Tomorrow is a new day.”

Chapter 6: Exit Plan (When to get out?)

Decide when to close the trade before you even enter.

  1. Automatic Exit: The best method is to sleep until TP or SL is hit.
  2. Manual Exit (Conditional):
  • Only if an H1 Candle closes strongly against your direction.
  • If Major News (like NFP, CPI) is about to be released.
  • NEVER manually close a trade based on M1 or M5 candles.

Final Commitment

For the next 7 days, this is your only challenge:

“I may take a wrong trade, but I will not close a trade out of fear. It’s either SL, TP, or Breakeven—I recognize nothing else.”

🇧🇩 BANGLA VERSION

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ā§§: āĻŽāĻžāχāĻ¨ā§āĻĄāϏ⧇āϟ āĻāĻŦāĻ‚ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻŋ (āϚāĻžāĻ°ā§āϟ āĻ–ā§‹āϞāĻžāϰ āφāϗ⧇)

āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻžāϰ āφāϗ⧇āχ āϝ⧁āĻĻā§āϧ⧇āϰ āĻ…āĻ°ā§āϧ⧇āĻ• āϜāϝāĻŧ āĻŦāĻž āĻĒāϰāĻžāϜāϝāĻŧ āύāĻŋāĻ°ā§āϧāĻžāϰāĻŋāϤ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤ āϚāĻžāĻ°ā§āϟ āĻ–ā§‹āϞāĻžāϰ āφāϗ⧇ āύāĻŋāĻœā§‡āϕ⧇ āĻāχ āĻĒā§āϰāĻļā§āύāϗ⧁āϞ⧋ āĻ•āϰ⧇ āϤ⧈āϰāĻŋ āĻ•āϰ⧁āύāĨ¤

ā§§.ā§§. āϜ⧁āϝāĻŧāĻž āύāĻžāĻ•āĻŋ āĻŦā§āϝāĻŦāϏāĻž?

  • āϭ⧁āϞ āϧāĻžāϰāĻŖāĻž: āφāĻŽāϰāĻž āĻ­āĻžāĻŦāĻŋ, “āφāϜāϕ⧇ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻĨ⧇āϕ⧇ ā§§ā§Ļā§Ļ āĻĄāϞāĻžāϰ āϤ⧁āϞāĻŦāχāĨ¤”
  • āϏāĻ āĻŋāĻ• āĻŽāĻžāχāĻ¨ā§āĻĄāϏ⧇āϟ: “āφāϜāϕ⧇ āφāĻŽāĻŋ āφāĻŽāĻžāϰ āĻ¸ā§āĻŸā§āĻ°ā§āϝāĻžāĻŸā§‡āϜāĻŋ āĻĢāϞ⧋ āĻ•āϰāĻŦāĨ¤ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āϝāĻĻāĻŋ āϏ⧁āϝ⧋āĻ— āĻĻ⧇āϝāĻŧ, āϤāĻŦ⧇āχ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻŦāĨ¤ āϞāĻžāĻ­ āĻšāĻŦ⧇ āύāĻžāĻ•āĻŋ āϞāϏ, āϏ⧇āϟāĻž āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ āĻšāĻžāϤ⧇, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϞāϏ āĻ•āϤ āĻšāĻŦā§‡â€”āϏ⧇āϟāĻž āφāĻŽāĻžāϰ āĻšāĻžāϤ⧇āĨ¤”

ā§§.⧍. āϞāϏ āĻŽā§‡āύ⧇ āύ⧇āĻ“āϝāĻŧāĻž (Accepting the Risk)

  • āĻŸā§āϰ⧇āĻĄ āĻ“āĻĒ⧇āύ āĻ•āϰāĻžāϰ āφāϗ⧇ āĻ­āĻžāĻŦ⧁āύ, “āĻāχ āĻŸā§āϰ⧇āĻĄā§‡ āφāĻŽāĻžāϰ ā§§ā§Ļ āĻĄāϞāĻžāϰ āϞāϏ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤ āĻāχ ā§§ā§Ļ āĻĄāϞāĻžāϰ āϗ⧇āϞ⧇ āĻ•āĻŋ āφāĻŽāĻžāϰ āϰāĻžāϤ⧇āϰ āϘ⧁āĻŽ āύāĻˇā§āϟ āĻšāĻŦ⧇?”
  • āϝāĻĻāĻŋ āωāĻ¤ā§āϤāϰ “āĻšā§āϝāĻžāρ” āĻšāϝāĻŧ, āϤāĻŦ⧇ āϞāϟ āϏāĻžāχāϜ āĻ•āĻŽāĻžāύāĨ¤ āϝāϤāĻ•ā§āώāĻŖ āύāĻž āĻŽāύ⧇ āĻšāĻšā§āϛ⧇, “āĻāχ āϞāϏ āĻšāϞ⧇ āφāĻŽāĻžāϰ āĻ•āĻŋāϛ⧁ āϝāĻžāϝāĻŧ āφāϏ⧇ āύāĻž”, āϤāϤāĻ•ā§āώāĻŖ āϞāϟ āĻ•āĻŽāĻžāύāĨ¤ āĻ­āϝāĻŧ āĻ•āĻžāϟāĻžāύ⧋āϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻ“āώ⧁āϧ āĻšāϞ⧋ āϛ⧋āϟ āϞāϟ āϏāĻžāχāϜāĨ¤

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ⧍: āϟāĻžāχāĻŽāĻĢā§āϰ⧇āĻŽā§‡āϰ āĻĢāĻžāρāĻĻ (The Timeframe Trap)

āφāĻĒāύāĻžāϰ āĻĒā§āϰāϧāĻžāύ āϏāĻŽāĻ¸ā§āϝāĻž āĻšāϞ⧋ āϟāĻžāχāĻŽāĻĢā§āϰ⧇āĻŽā§‡āϰ āĻ—ā§‹āϞāĻ•āϧāĻžāρāϧāĻžāϝāĻŧ āφāϟāϕ⧇ āϝāĻžāĻ“āϝāĻŧāĻžāĨ¤ āĻāϟāĻžāϕ⧇ āφāϞāĻžāĻĻāĻžāĻ­āĻžāĻŦ⧇ āĻŦ⧁āĻā§āύāĨ¤

⧍.ā§§. H1/M30 āĻāϰ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž (The Map)

  • H1 āĻšāϞ⧋ āφāĻĒāύāĻžāϰ āĻŽā§āϝāĻžāĻĒ āĻŦāĻž āϗ⧁āĻ—āϞ āĻŽā§āϝāĻžāĻĒāĨ¤ āĻāϟāĻŋ āφāĻĒāύāĻžāϕ⧇ āĻŦāϞ⧇ āĻ—āĻ¨ā§āϤāĻŦā§āϝ āϕ⧋āĻĨāĻžāϝāĻŧāĨ¤
  • āύāĻŋāϝāĻŧāĻŽ: āĻœā§‹āύ āĻĄā§āϰ āĻ•āϰāĻž, āϟāĻžāĻ°ā§āϗ⧇āϟ āĻ āĻŋāĻ• āĻ•āϰāĻž āĻāĻŦāĻ‚ āĻŸā§āϰ⧇āĻ¨ā§āĻĄ āĻŦā§‹āĻāĻžāϰ āĻ•āĻžāϜ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ H1 āĻŦāĻž M30 āϤ⧇ āĻ•āϰāĻŦ⧇āύāĨ¤

⧍.⧍. M1/M5 āĻāϰ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž (The Microscope)

  • M1 āĻŦāĻž M5 āĻšāϞ⧋ āĻ…āϪ⧁āĻŦā§€āĻ•ā§āώāĻŖ āϝāĻ¨ā§āĻ¤ā§āϰāĨ¤ āĻāϟāĻŋ āĻļ⧁āϧ⧁ āĻāĻ¨ā§āĻŸā§āϰāĻŋāϰ āϜāĻ¨ā§āϝāĨ¤
  • āϏāĻŽāĻ¸ā§āϝāĻž: āĻ…āϪ⧁āĻŦā§€āĻ•ā§āώāĻŖ āϝāĻ¨ā§āĻ¤ā§āϰ āĻĻāĻŋāϝāĻŧ⧇ āĻŦ⧇āĻļāĻŋāĻ•ā§āώāĻŖ āϤāĻžāĻ•āĻžāϞ⧇ āĻŽāĻžāĻĨāĻž āĻŦā§āϝāĻĨāĻž āĻ•āϰ⧇āĨ¤ āϤ⧇āĻŽāύāĻŋ āĻŦ⧇āĻļāĻŋāĻ•ā§āώāĻŖ M1 āϚāĻžāĻ°ā§āϟ āĻĻ⧇āĻ–āϞ⧇ āĻŦā§āϰ⧇āύ āĻĒā§āϝāĻžāύāĻŋāĻ• āĻ•āϰ⧇āĨ¤ āϛ⧋āϟ āĻāĻ•āϟāĻž āϞāĻžāϞ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞāϕ⧇ āĻŦāĻŋāĻļāĻžāϞ āϧāϏ āĻŽāύ⧇ āĻšāϝāĻŧāĨ¤
  • āϏāĻŽāĻžāϧāĻžāύ: āĻāĻ¨ā§āĻŸā§āϰāĻŋ āύ⧇āĻ“āϝāĻŧāĻžāϰ āĻ•āĻžāϜ āĻļ⧇āώ āĻŽāĻžāύ⧇āχ āĻŽāĻžāχāĻ•ā§āϰ⧋āĻ¸ā§āϕ⧋āĻĒ⧇āϰ āĻ•āĻžāϜ āĻļ⧇āώāĨ¤ āĻ“āϟāĻž āϏāϰāĻŋāϝāĻŧ⧇ āĻĢ⧇āϞ⧁āύāĨ¤

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ā§Š: āϧāĻžāĻĒ⧇ āϧāĻžāĻĒ⧇ āĻāĻ•ā§āϏāĻŋāĻ•āĻŋāωāĻļāύ (Step-by-Step Protocol)

āĻāχ āĻĒā§āϰāϏ⧇āϏāϟāĻŋ āϰ⧋āĻŦāĻŸā§‡āϰ āĻŽāϤ⧋ āĻĢāϞ⧋ āĻ•āϰāĻŦ⧇āύāĨ¤

āϧāĻžāĻĒ ā§§: āĻœā§‹āύ āĻŽāĻžāĻ°ā§āĻ•āĻŋāĻ‚ āĻāĻŦāĻ‚ āĻ…ā§āϝāĻžāϞāĻžāĻ°ā§āϟ

  • H1 āϚāĻžāĻ°ā§āĻŸā§‡ āϏāĻžāĻĒā§‹āĻ°ā§āϟ/āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§‡āĻ¨ā§āϏ āĻœā§‹āύ āφāρāϕ⧁āύāĨ¤
  • āϚāĻžāĻ°ā§āĻŸā§‡āϰ āϏāĻžāĻŽāύ⧇ āĻŦāϏ⧇ āĻĨāĻžāĻ•āĻŦ⧇āύ āύāĻžāĨ¤ āĻœā§‹āύ⧇ āĻ…ā§āϝāĻžāϞāĻžāĻ°ā§āϟ āϏ⧇āϟ āĻ•āϰ⧇ āĻŽā§āĻ­āĻŋ āĻĻ⧇āϖ⧁āύ āĻŦāĻž āĻ…āĻ¨ā§āϝ āĻ•āĻžāϜ āĻ•āϰ⧁āύāĨ¤
  • āĻ•āĻžāϰāĻŖ: āĻŦ⧇āĻļāĻŋāĻ•ā§āώāĻŖ āϚāĻžāĻ°ā§āĻŸā§‡āϰ āĻĻāĻŋāϕ⧇ āϤāĻžāĻ•āĻŋāϝāĻŧ⧇ āĻĨāĻžāĻ•āϞ⧇ āĻŽāύ⧇ āĻšāĻŦ⧇ “āĻĒā§āϰāĻžāχāϏ āϚāϞ⧇ āϗ⧇āϞ” āĻāĻŦāĻ‚ āφāĻĒāύāĻŋ āϭ⧁āϞāĻ­āĻžāϞ āĻŸā§āϰ⧇āĻĄ āύāĻŋāϝāĻŧ⧇ āĻĢ⧇āϞāĻŦ⧇āύāĨ¤

āϧāĻžāĻĒ ā§¨: āĻ¸ā§āύāĻžāχāĻĒāĻžāϰ āĻāĻ¨ā§āĻŸā§āϰāĻŋ (M5)

  • āĻ…ā§āϝāĻžāϞāĻžāĻ°ā§āϟ āĻŦāĻžāϜāϞ⧇ M5 āϚāĻžāĻ°ā§āĻŸā§‡ āϝāĻžāύāĨ¤
  • Engulfing āĻŦāĻž Structure Break āϖ⧁āρāϜ⧁āύāĨ¤
  • ā§Ģā§Ļ% āϰ⧁āϞ: Engulfing āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ āĻ•ā§āϞ⧋āϜ āĻšāĻ“āϝāĻŧāĻžāϰ āĻĒāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āϜāĻžāĻŽā§āĻĒ āĻ•āϰāĻŦ⧇āύ āύāĻžāĨ¤ āĻĒā§āϰāĻžāχāϏ āĻāĻ•āϟ⧁ āϰāĻŋāĻŸā§‡āĻ¸ā§āϟ (Retest) āĻ•āϰ⧇ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ⧇āϰ āĻŽāĻžāĻāĻ–āĻžāύ⧇ āφāϏāϞ⧇ āĻāĻ¨ā§āĻŸā§āϰāĻŋ āύāĻŋāύāĨ¤ āĻāϤ⧇ āĻ¸ā§āϟāĻĒ āϞāϏ (SL) āϛ⧋āϟ āĻšāĻŦ⧇āĨ¤

āϧāĻžāĻĒ ā§Š: āϤāĻžā§ŽāĻ•ā§āώāĻŖāĻŋāĻ• āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž (Immediate Action)

  • āĻŸā§āϰ⧇āĻĄ āĻ“āĻĒ⧇āύ āĻ•āϰāĻžāϰ ā§§ā§Ļ āϏ⧇āϕ⧇āĻ¨ā§āĻĄā§‡āϰ āĻŽāĻ§ā§āϝ⧇ SL āĻāĻŦāĻ‚ TP āĻŦāϏāĻžāύāĨ¤
  • āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāϜ: āĻŽāĻžāωāϏ āĻĻāĻŋāϝāĻŧ⧇ āϟāĻžāχāĻŽāĻĢā§āϰ⧇āĻŽ āĻŦāĻžāϟāύ⧇ āĻ•ā§āϞāĻŋāĻ• āĻ•āϰ⧇ āφāĻŦāĻžāϰ H1 āĻŦāĻž M30 āϤ⧇ āĻĢāĻŋāϰ⧇ āϝāĻžāύāĨ¤
  • āύāĻŋāĻœā§‡āϕ⧇ āĻŦāϞ⧁āύ: “āφāĻŽāĻžāϰ āĻāĻ¨ā§āĻŸā§āϰāĻŋāϰ āĻ•āĻžāϜ āĻļ⧇āώ, āĻāĻ–āύ āφāĻŽāĻŋ āφāϰ M5 āϚāĻŋāύāĻŋ āύāĻžāĨ¤”

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ā§Ē: āĻŸā§āϰ⧇āĻĄ āĻšā§‹āĻ˛ā§āĻĄ āĻ•āϰāĻžāϰ āĻŽāύāĻ¸ā§āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ•ā§ŒāĻļāϞ (The Art of Holding)

āĻŸā§āϰ⧇āĻĄ āĻ“āĻĒ⧇āύ āĻ•āϰāĻžāϰ āĻĒāϰ āφāϏāϞ āϖ⧇āϞāĻž āĻļ⧁āϰ⧁ āĻšāϝāĻŧāĨ¤ āĻāĻ–āĻžāύ⧇ āφāĻĒāύāĻžāϰ āĻŽāύ⧇āϰ āϏāĻžāĻĨ⧇ āϝ⧁āĻĻā§āϧ āĻāĻŦāĻ‚ āϤāĻžāϰ āϏāĻŽāĻžāϧāĻžāύ āĻĻ⧇āĻ“āϝāĻŧāĻž āĻšāϞ⧋āĨ¤

ā§Ē.ā§§. āϕ⧇āύ āφāĻŽāϰāĻž āĻĒā§āϰāĻĢāĻŋāϟ āϧāϰ⧇ āϰāĻžāĻ–āϤ⧇ āĻĒāĻžāϰāĻŋ āύāĻž?

āĻ•āĻžāϰāĻŖ āφāĻŽāϰāĻž āϞāĻžāĻ­ āĻšāĻžāϰāĻžāύ⧋āϰ āĻ­āϝāĻŧ⧇ āĻĨāĻžāĻ•āĻŋ (Fear of Missing Out on Profits)āĨ¤ āĻŽāύ⧇ āĻšāϝāĻŧ, “āϝāĻž āĻĒāĻžāĻšā§āĻ›āĻŋ āϤāĻžāχ āύāĻŋāϝāĻŧ⧇ āύāĻŋāχ, āĻĒāϰ⧇ āϝāĻĻāĻŋ āϞāϏ āĻšāϝāĻŧ?”

ā§Ē.⧍. āϏāĻŽāĻžāϧāĻžāύ: āĻŦā§āϰ⧇āĻ•-āχāϭ⧇āύ āĻāĻŦāĻ‚ āĻĒāĻžāĻ°ā§āĻļāĻŋāϝāĻŧāĻžāϞ āĻŦ⧁āĻ•āĻŋāĻ‚

  • āĻŦā§āϰ⧇āĻ•-āχāϭ⧇āύ (Breakeven): āϝāĻ–āύāχ āĻĻ⧇āĻ–āĻŦ⧇āύ āĻĒā§āϰāĻžāχāϏ āφāĻĒāύāĻžāϰ āϰāĻŋāĻ¸ā§āϕ⧇āϰ āϏāĻŽāĻžāύ (1:1) āĻĻā§‚āϰāĻ¤ā§āĻŦ⧇ āϗ⧇āϛ⧇, āĻ¸ā§āϟāĻĒ āϞāϏ āϏāϰāĻŋāϝāĻŧ⧇ āĻāĻ¨ā§āĻŸā§āϰāĻŋ āĻĒāϝāĻŧ⧇āĻ¨ā§āĻŸā§‡ āφāύ⧁āύāĨ¤
  • āϝ⧁āĻ•ā§āϤāĻŋ: āĻāĻ–āύ āφāϰ āφāĻĒāύāĻžāϰ āĻĒāϕ⧇āϟ āĻĨ⧇āϕ⧇ āĻāĻ• āĻĒāϝāĻŧāϏāĻžāĻ“ āϝāĻžāĻŦ⧇ āύāĻžāĨ¤ āĻāĻ–āύ āφāĻĒāύāĻŋ āύāĻŋāĻ°ā§āĻ­āĻžāϰ āĻšāϝāĻŧ⧇ āĻŸā§āϰ⧇āĻĄ āĻšā§‹āĻ˛ā§āĻĄ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤
  • āĻĒāĻžāĻ°ā§āĻļāĻŋāϝāĻŧāĻžāϞ āĻŦ⧁āĻ•āĻŋāĻ‚: āϝāĻĻāĻŋ āĻŦ⧁āĻ• āϧāĻĄāĻŧāĻĢāĻĄāĻŧ āĻ•āϰ⧇, āϤāĻŦ⧇ ā§Ģā§Ļ% āĻ­āϞāĻŋāωāĻŽ āĻ•ā§āϞ⧋āϜ āĻ•āϰ⧇ āĻĻāĻŋāύāĨ¤ āĻŦāĻžāĻ•āĻŋ ā§Ģā§Ļ% āĻāĻ•āĻĻāĻŽ āϟāĻžāĻ°ā§āϗ⧇āϟ āĻŦāĻž āĻŦā§āϰ⧇āĻ•-āχāϭ⧇āύ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϰ⧇āϖ⧇ āĻĻāĻŋāύāĨ¤

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ā§Ģ: āĻŽāύ⧇āϰ āĻĒā§āϰāĻļā§āύ āĻ“ āϞāϜāĻŋāĻ•ā§āϝāĻžāϞ āωāĻ¤ā§āϤāϰ (Inner Monologue)

āĻŸā§āϰ⧇āĻĄ āϰāĻžāύāĻŋāĻ‚ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāϝāĻŧ āĻļāϝāĻŧāϤāĻžāύāĻŋ āϚāĻŋāĻ¨ā§āϤāĻž āφāϏāĻŦ⧇āχāĨ¤ āϏ⧇āϗ⧁āϞ⧋āϰ āωāĻ¤ā§āϤāϰ āϰ⧇āĻĄāĻŋ āϰāĻžāϖ⧁āύāĨ¤

āĻŽāύ⧇āϰ āĻļāϝāĻŧāϤāĻžāύāĻŋ āĻĒā§āϰāĻļā§āύāϞāϜāĻŋāĻ•ā§āϝāĻžāϞ āωāĻ¤ā§āϤāϰ (āφāĻĒāύāĻžāϰ āĻĄāĻŋāĻĢ⧇āĻ¨ā§āϏ)
“āχāĻļ! āĻŽāĻžāĻ°ā§āϕ⧇āϟ āϤ⧋ āωāĻ˛ā§āĻŸā§‹ āĻĻāĻŋāϕ⧇ āϝāĻžāĻšā§āϛ⧇, āϞāϏ āĻšāĻ“āϝāĻŧāĻžāϰ āφāϗ⧇āχ āĻ•ā§āϞ⧋āϜ āĻ•āϰ⧇ āĻĻāĻŋāχ?”“āφāĻŽāĻŋ āĻ•āĻŋ āĻ­āĻŦāĻŋāĻˇā§āĻ¯ā§Ž āϜāĻžāύāĻŋ? āύāĻžāĨ¤ āφāĻŽāĻžāϰ SL āφāϛ⧇āĨ¤ āϞāϏ āĻšāϞ⧇ āĻšāĻŦ⧇āĨ¤ āĻāϟāĻž āĻŦā§āϝāĻŦāϏāĻžāϰ āĻ–āϰāϚāĨ¤ āφāĻŽāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāύ āĻ›āĻžāĻĄāĻŧāĻž āĻŽāĻžāĻāĻĒāĻĨ⧇ āĻŦ⧇āϰ āĻšāĻŦ āύāĻžāĨ¤”
“āϞāĻžāĻ­ āϤ⧋ āĻ­āĻžāϞ⧋āχ āĻĻ⧇āĻ–āĻžāĻšā§āϛ⧇, āϟāĻžāĻ°ā§āϗ⧇āĻŸā§‡āϰ āĻĻāϰāĻ•āĻžāϰ āύ⧇āχ, āĻāĻ–āύ āĻ•ā§āϞ⧋āϜ āĻ•āϰ⧇ āĻĻāĻŋāχāĨ¤”“āĻāχ āϛ⧋āϟ āϞāĻžāϭ⧇ āφāĻŽāĻžāϰ āĻĒā§‹āώāĻžāĻŦ⧇ āύāĻžāĨ¤ āφāĻŽāĻžāϰ āϞāϏ āĻšāϞ⧇ ā§§ā§Ļ āĻĄāϞāĻžāϰ āϝ⧇āϤ, āϤāĻžāχ āϞāĻžāĻ­ āĻŽāĻŋāύāĻŋāĻŽāĻžāĻŽ ⧍ā§Ļ āĻĄāϞāĻžāϰ āĻšāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻĄāĻŋāϏāĻŋāĻĒā§āϞāĻŋāύ āĻ­āĻžāĻ™āϞ⧇ āφāĻŽāĻŋ āĻ•āĻ–āύ⧋āχ āĻĒā§āϰāĻĢāĻŋāĻŸā§‡āĻŦāϞ āĻšāϤ⧇ āĻĒāĻžāϰāĻŦ āύāĻžāĨ¤”
“M5 āĻ āĻŦāĻŋāĻļāĻžāϞ āωāĻ˛ā§āĻŸā§‹ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ āĻšāϝāĻŧ⧇āϛ⧇! āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻ•ā§āĻ°ā§āϝāĻžāĻļ āĻ•āϰāĻŦ⧇!”“āφāĻŽāĻŋ H1 āϚāĻžāĻ°ā§āĻŸā§‡ āφāĻ›āĻŋāĨ¤ āĻ“āχ M5 āĻāϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ H1 āĻ āĻ•āĻŋāϛ⧁āχ āύāĻž, āϜāĻžāĻ¸ā§āϟ āĻāĻ•āϟāĻž ‘āωāĻŋāĻ•’ (Wick)āĨ¤ āĻ­āϝāĻŧ āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āĻ•āĻŋāϛ⧁ āύ⧇āχāĨ¤”
“āφāϜāϕ⧇ āĻŽāύ⧇ āĻšāϝāĻŧ āĻĻāĻŋāύāϟāĻž āĻ–āĻžāϰāĻžāĻĒ, āϞāϏ āϰāĻŋāĻ•āĻ­āĻžāϰ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤”“āϰāĻŋāϭ⧇āĻžā§āϜ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāϞ⧇ āĻāĻ•āĻžāωāĻ¨ā§āϟ āϜāĻŋāϰ⧋ āĻšāĻŦ⧇āĨ¤ āφāϜāϕ⧇ āϞāϏ āĻšāϞ⧇ āĻ˛ā§āϝāĻžāĻĒāϟāĻĒ āĻŦāĻ¨ā§āϧāĨ¤ āĻ•āĻžāϞ āύāϤ⧁āύ āĻĻāĻŋāύāĨ¤”

āĻ…āĻ§ā§āϝāĻžāϝāĻŧ ā§Ŧ: āĻāĻ•ā§āϏāĻŋāϟ āĻĒā§āĻ˛ā§āϝāĻžāύ (āĻ•āĻ–āύ āĻŦ⧇āϰ āĻšāĻŦ⧇āύ?)

āĻ•āĻ–āύ āĻŸā§āϰ⧇āĻĄ āĻ•ā§āϞ⧋āϜ āĻ•āϰāĻŦ⧇āύ, āϤāĻž āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āĻ āĻŋāĻ• āĻĨāĻžāĻ•āϤ⧇ āĻšāĻŦ⧇āĨ¤

ā§§. āĻ…āĻŸā§‹āĻŽā§‡āϟāĻŋāĻ• āĻāĻ•ā§āϏāĻŋāϟ: āϏāĻŦāϚāĻžāχāϤ⧇ āĻ­āĻžāϞ⧋ āĻšāϞ⧋ TP āĻŦāĻž SL āĻšāĻŋāϟ āĻ•āϰāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϘ⧁āĻŽāĻžāύ⧋āĨ¤

⧍. āĻŽā§āϝāĻžāύ⧁āϝāĻŧāĻžāϞ āĻāĻ•ā§āϏāĻŋāϟ (āĻļāĻ°ā§āϤāϏāĻžāĻĒ⧇āĻ•ā§āώ⧇):

* āϝāĻĻāĻŋ H1 āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ āφāĻĒāύāĻžāϰ āĻāĻ¨ā§āĻŸā§āϰāĻŋāϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āϖ⧁āĻŦ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀āĻ­āĻžāĻŦ⧇ āĻ•ā§āϞ⧋āϜ āĻšāϝāĻŧāĨ¤

* āϝāĻĻāĻŋ āϕ⧋āύ⧋ Major News (āϝ⧇āĻŽāύ NFP, CPI) āφāϏāĻžāϰ āϏāĻŽāϝāĻŧ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤

* āĻ•āĻ–āύ⧋āχ M1 āĻŦāĻž M5 āĻāϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ āĻĻ⧇āϖ⧇ āĻŽā§āϝāĻžāύ⧁āϝāĻŧāĻžāϞāĻŋ āĻŸā§āϰ⧇āĻĄ āĻ•ā§āϞ⧋āϜ āĻ•āϰāĻŦ⧇āύ āύāĻžāĨ¤

āĻļ⧇āώ āĻ•āĻĨāĻž (Commitment)

āφāϜ āĻĨ⧇āϕ⧇ āφāĻ—āĻžāĻŽā§€ ā§­ āĻĻāĻŋāύ āφāĻĒāύāĻžāϰ āĻāĻ•āϟāĻžāχ āĻšā§āϝāĻžāϞ⧇āĻžā§āϜ:

“āφāĻŽāĻŋ āϭ⧁āϞ āĻŸā§āϰ⧇āĻĄ āύāĻŋāϤ⧇ āĻĒāĻžāϰāĻŋ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻŽāĻŋ āĻ­āϝāĻŧ⧇ āĻŸā§āϰ⧇āĻĄ āĻ•ā§āϞ⧋āϜ āĻ•āϰāĻŦ āύāĻžāĨ¤ āĻšāϝāĻŧ SL, āύāĻž āĻšāϝāĻŧ TP, āύāĻž āĻšāϝāĻŧ Breakeven—āĻāϰ āĻŽāĻžāĻā§‡ āφāĻŽāĻŋ āĻ•āĻŋāϛ⧁ āϚāĻŋāύāĻŋ āύāĻžāĨ¤”

Leave a Reply

Your email address will not be published. Required fields are marked *